{"created":"2023-06-20T15:49:20.504956+00:00","id":264,"links":{},"metadata":{"_buckets":{"deposit":"0400aafe-989a-406e-a0db-e19caacedad3"},"_deposit":{"created_by":12,"id":"264","owners":[12],"pid":{"revision_id":0,"type":"depid","value":"264"},"status":"published"},"_oai":{"id":"oai:tsuda.repo.nii.ac.jp:00000264","sets":["4:5:61"]},"author_link":["377","376"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-18","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"150","bibliographicPageStart":"131","bibliographicVolumeNumber":"52","bibliographic_titles":[{"bibliographic_title":"津田塾大学紀要"},{"bibliographic_title":"Journal of Tsuda University","bibliographic_titleLang":"en"}]}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0287-7805","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"上神, 弥生"},{"creatorName":"ウエガミ, ヤヨイ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"376","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Uegami, Yayoi","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"377","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-03-30"}],"displaytype":"detail","filename":"津田塾大学紀要52_07上神.pdf","filesize":[{"value":"1.6 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"亡霊の代筆、もうひとつの手ーヴェスナ・ゴールズワージーの『ムッシュ・カー』における翻訳的創造性の寓意ー","url":"https://tsuda.repo.nii.ac.jp/record/264/files/津田塾大学紀要52_07上神.pdf"},"version_id":"948a9a6b-a6f6-4c70-bf2e-b38b3e9d5d6f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"亡霊の代筆、もうひとつの手ーヴェスナ・ゴールズワージーの『ムッシュ・カー』における翻訳的創造性の寓意ー","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"亡霊の代筆、もうひとつの手ーヴェスナ・ゴールズワージーの『ムッシュ・カー』における翻訳的創造性の寓意ー"},{"subitem_title":"Leaving the End Blank for Another Hand -Ghostwriting as an Allegory of Invisible Creativity in Vesna Goldsworthy's Monsieur Ka (2018)-","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"12","path":["61"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-03-30"},"publish_date":"2020-03-30","publish_status":"0","recid":"264","relation_version_is_last":true,"title":["亡霊の代筆、もうひとつの手ーヴェスナ・ゴールズワージーの『ムッシュ・カー』における翻訳的創造性の寓意ー"],"weko_creator_id":"12","weko_shared_id":-1},"updated":"2023-06-20T15:54:54.827680+00:00"}